John Krewalk |
Parker "51"
Parker sold some 20 million of their "51" pens over the three decades or so after its introduction in 1941, with one major mechanical redesign and a number of cosmetic updates, making them one of the most popular fountain pens in history; this despite the fact that they were never terribly inexpensive (the 1941 price of $12.50 equates to about $140 in today's money). It is easy to see why. The 51 was just about the best pen to be had in the closing years of the "golden age" of fountain pens. It was stylish, innovative and effective in design, rugged, and an extremely good writer. The 51 was the first in a long series of Parker pens that would be identified by numbers, a nod perhaps to the firm's growing export market (since numbers do not require translation). At its introduction, it was touted as the pen that was "ten years ahead of its time", but the specific origin of the name was that the design was completed in 1939, the 51st anniversary of the company. A Parker 51 "under the hood", showing collector and tubular point The Parker 51 can trace its origins back to the early 1930s, when Parker researchers began looking for a way to dispel the ancient curse of pen writing: ink that wouldn't dry. To this end, they had developed a new metallic-base ink that exhibited the required volatility, but they found that the ink quickly ate into the celluloid then used by most penmakers (Parker's new Vacumatic used the barrel itself, rather than a rubber sac, to hold the ink, so this was not an ideal state of affairs). So, it was off to Imperial Chemical of Great Britain to come up with a new material for pen barrels, a new methyl methacrylate resin that had just been trademarked under the name "plexiglas" (and also known as "lucite," or simply "acrylic"). It was lightweight yet very strong, denser and less porous than celluloid, and not flammable. It took colors well (and could be transparent, allowing it to be used in place of plate glass in aircraft windows and cockpits). Happily, it could be injection molded, which eliminated the work of machining pen barrels up from rod stock.
Perhaps no other fountain pen has been so unanimously
acclaimed as a classic. Nor is it merely a triumph of styling -- though it has
a place in the Museum of Modern Art's design collection, and Lazlo Moholy-Nagy
found it worthy of praise -- for it is also one of the most robust and practical
writing instruments ever made!
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